Here we meet our narrator, sitting in a prison cell in Scotland being implicated in the death of a child in her capacity as a nanny. She is writing a famous defense attorney and overshares her story to create a full context. It’s not a super inventive or super successful narrative convention, but it allows the whole of the novel to take place in a very particular way, in which we as the audience are treated to a slow trickle of essential information as the […]
Please help me. I didn’t kill anyone.
Turn of the Key by Ruth Ware



