Writing a good protagonist is obviously a tricky business. You can have all the plot ideas you want, but if there’s nobody to carry them they won’t go anywhere. The problem is that people disagree about what makes a good protagonist. Take Holden Caulfield, for example. Is he the voice of a generation or just a whiny runt with first world problems? (It’s the latter). Unfortunately, as far as No Exit is concerned, your mileage may vary.  The premise of the novel is enticing if […]