At some point as a student I came across French theorist Roland Barthes’s ‘The Death of the Author’ (1967), which suggests (in translation) that a text ought to be read as a “tissue of quotations” (instead of a single isolated product of a clearly identifiable authorial intention; I paraphrase and summarise wildly here). I vaguely thought of “tissue” initially as the kind of tissue you’d sneeze into, woven to be flimsy and fragile and disposable. Later, I thought of “tissue” as in the weavings of […]