Thanks to NetGalley and Blackstone Publishing for the audio ARC. It hasn’t affected the contents of my review.
Another banger from Ira Levin. I didn’t love it quite as much as Rosemary’s Baby, but you can clearly tell that this dude could write, and was waaay ahead of his time. And the actual book is much more subtle and impressive than its pop culture residue would have you believe. (Don’t even get me started on the bastardization that is the 2004 film. Now that I’ve read the book, I hate that movie even more.)
It’s the early 1970s and our main character is Joanna Eberhart, a photographer who has just moved to a pretty little town called Stepford with her husband and two kids. At first she’s loving her new community, and even makes a couple of friends, but soon it becomes clear that all the other housewives (or hausfraus as they call them) are eerily similar in very disturbing ways. They are all obsessed with cleaning their houses, never socialize with other women, and have large breasts and trim waists. They are unfailingly sweet and polite, so Joanna holds no ire for them, but she is concerned nonetheless. Her concern morphs into distress when her friends suddenly seem to change into Stepford wives as well*, and she is sure that the Men’s Association (which didn’t exist until six or seven years prior) are responsible for what’s going on with Stepford’s women (the wives of course; no one cares about the children or the elderly).
*One friend, Bobbie, is initially described as messy, with a large bottom and dirty toes, and she is infamously haphazard with her housekeeping and mothering skills, so when she changes it’s a huge red flag for Joanna.
The commentary here, that men (even ones that previously professed to be okay with—even proud of—their wives’ ambitions, achievements, and personhood) would rather murder their wives and replace them with robots than have to rethink their view of women as inferior beings. There is a scene in here where in hindsight Joanna’s husband has clearly just found out about what will happen to his wife soon, and his reaction is truly disgusting. I wish Joanna would have burned the house down with him inside it.
I’m giving this four stars because I’m unsure how I feel about the ending and its implications. It feels very decisive and right for the 1970s, but I would be interested to see if Levin had written it today, what he could have come up with instead.
(The new audiobook, narrated by January LaVoy, with the Peter Straub afterword narrated by Grover Gardner, was a great listen, and I highly recommend it.)
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